Tuesday, March 4, 2008

GOOD TIMES, BAD TIMES, Cammi Climaco and Emily Roz

March 7-April 5, 2008
Opening Reception, March 7, 6-10pm
GARDENfresh Gallery, Chicago
119 N. Peoria #3D
Chicago, Illinois 60607
Gallery hours Fri -Sat noon – 6pm, or by appointment.
http://www.gardenfresh.org


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Friday, February 22, 2008

Joseph De Leo: The Portrait Project


The anticipated unveiling of the photo installation is finally here!

Joseph De Leo: The Portrait Project

Visit Items of Importance gallery tomorrow to see this stunning display!

Opening Reception: Saturday February 23 from 6-9pm

February 23- March 9, 2008
Gallery Hours: Sat. and Sun. 12-6pm
or by appointment

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Tuesday, February 19, 2008

Shirin Neshat at the Gladstone Gallery through February 23



Press Release:
Shirin Neshat
January 19 - February 23, 2008

Gladstone Gallery is pleased to announce an exhibition of new video installations and photographs by artist Shirin Neshat, her third solo exhibition at the gallery. Neshat’s work engages the viewer through powerful images, sweeping scores, and evocations of human passions and desires, while examining the social tropes that both stratify and unite. Neshat pitches these dialectics of East/West, man/woman, and oppressor /oppressed, to such a degree that these seemingly immutable polarities become malleable locations for query. In two new films and accompanying photographs, Neshat continues her exploration of Shahrnush Parsipur’s novel Women Without Men.

In adapting the magical realism of Parsipur’s fantastic retelling of the 1953 coup d’etat in which the CIA reinstalled the Shah of Iran, Neshat continues a project she began in 2003. Neshat dissects the individual narrative threads of Parsipur’s interwoven tale of five Iranian women as they each seek freedom from their oppressive lives. Their struggle parallels that of their nation, a country in crisis fighting for a sense of independence from foreign forces. Neshat’s project is two-pronged, consisting of a feature length film as well as a series of video installations exploring the psychologies of the five main female characters.

MUNIS follows the story of young woman whose intense passions for social justice are perpetually stymied by her oppressive brother. Happening to witness the death of a political activist drives Munis to take her own life, beginning a magical encounter between herself and the dead activist. Only in death can Munis finally experience the strange carnival of political unrest; however, she finds that ‘reality’ in close proximity can be both promising and disillusioning.

FAEZEH explores the anguish of a religious woman whose dreams of marriage and family are shattered by rape. Escaping the city to a magical orchard, she encounters visions of a veiled woman driving her to madness. This piece ultimately captures the emotional, psychological breakdown of a Muslim woman whose entire sense of conviction, morality and religious faith is crushed after a sexual assault. Uniting three of the characters from the novel, Neshat explores the unique sexual, political, psychological and religious dilemmas that emerge during this pivotal time in Iranian history.

Shirin Neshat
was born in Qazvin, Iran, and moved to the United States in 1974. She currently lives and works in New York. She has had solo exhibitions at the Museo de Arte Moderno, Mexico City; Contemporary Arts Museum, Houston; Walker Art Center, Minneapolis; Espoo Museum of Modern Art, Finland; Castello di Rivoli, Turin; Dallas Museum of Art; Wexner Center, Columbus; the Art Institute of Chicago; the Serpentine Gallery, London; Museo de Arte Contemporaneo in Leon, Spain; and the Hamburger Bahnhof, Berlin. She has been included in Documenta XI, the 1999 Venice Biennale, and the 2000 Whitney Biennial. She was awarded the First International Award at 48th Venice Biennale, the Hiroshima Freedom Prize, and the Lillian Gish Prize.

Gallery hours:
Tuesday through Saturday, 10am - 6pm
515 West 24 Street New York, NY 10011 212 206 9300 FAX 212 206 9301 Gladstonegallery.com

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Thursday, February 14, 2008

Ceramic Sculpture by Dong Won Shin



Check out some wild and lovely sculpture by Korean Artist Dong Won Shin.

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Wednesday, February 13, 2008

Maria Magdalena Campos-Pons: The Other Side



Maria Magdalena Campos-Pons
The Other Side

February 21- April 5, 2008
Reception for the artist
Thursday, February 21, 6-8 pm

Julie Saul Gallery
535 West 22nd Street, 6th floor
New York, NY 10011
www.saulgallery.com

From Julie Saul Gallery:
PRESS RELEASE
FOR IMMEDIATE RELEASE

We are pleased to announce our second exhibition of Cuban born artist Maria Magdalena Campos Pons. Her ovure is a rich exploration into African diaspora and notions of loss, separation and dislocation associated with her Afro-Cuban identity. The Other Side follows her major mid-career survey organized by the Indianapolis Museum of Art. The show continues to reflect her interest in memory and displacement with two new unique nine-panel Polaroid works and several large-scale works on paper. For Campos-Pons, the immediacy of the Polaroid process allows her to respond and perform within the studio.

In the work Blue Refuge, Campos-Pons incorporated painted constructions and sculpture into her performance. Fixed in the center panel a figure sits wrapped in an orange cloth. The expansive blue background references both winter landscape and sea, while a web of strings ground the figure in space. Aestically, the contrasting colors of orange and blue isolate the form, while also envolping it into the calming environment. The body is used to reference history, personal identity and is both literally and figuratively bound to the landscape. In contrast, Dreaming of an Island is a work on paper that references to the longing of another place.

Born in Matanzas in 1959, Campos-Pons was educated in Cuba at the National School of Art (1976-1979) and Instituto Superior de Arte (1980-1985) and graduated from Massachusetts College of Art in 1988. She is one of the most significant artists to emerge from the post-Revolutionary era. She moved to North America in 1991 and now lives in Brookline, Massachusetts with her husband and son where they Co-founded GASP. The retrospective Everything is Separated by Water at the Insianapolis Museum of Art included forty works in many mediums borrowed from collections at The Art Institute of Chicago, The Whitney Museum of American Art, The Museum of Fine Arts in Boston, the National Gallery of Canada and the Norton Museum in Miami. Copies of the monograph with scholarly essays by curator Lisa Freiman and Okwui Enwezor are available.


For further information or images please contact Lisa Fontana at 212-627-2410 or lisa@saulgallery.com

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Friday, February 8, 2008

Kate Clark Press and Exhibition



Artist Kate Clark has been getting nice exposure in the press lately. Read an interview on Chief Mag.com for example and NY Arts.

If you'd like to see her work in person, head on over to the Islip museum:
I Dream of Genomes
Reflections on identity, artificiality and evolution

Islip Art Museum
February 6 through March 22, 2008

OPENING RECEPTION, Sunday, February 10th 2-4pm

curated by Janet Goleas
FEATURED ARTISTS
Kate Clark, Julia Condon, Andrea Cote, David Gamble, Michelle Hinebrook,
Lisa Kellner, Kathleen Kucka, Catamount Mayhugh, Steve Miller,
Meridith Pingree, Jake Rowland, Hope Sandrow, Birgitta Weimer


MORE INFO: http://www.islipartmuseum.org/exhibit18.html

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Friday, February 1, 2008

Bruno Munari Exhibition


Scultura da Viaggio, 1958
Ferro Verniciato, 43x50x54cm
Collezione Privata, Milano

Via SHIFT magazine comes a lovely article on the inspiring Bruno Munari.

The presence of Bruno Munari spanned so many decades of Italian culture – roughly from the early 30s to the 90s and influenced various fields as painting, industrial and graphic design and pedagogic methods: the temptation to call the Milanese, "master" is almost an inescapable temptation only softened by his love for lightness of touch and the constant use of irony and paradox that elude the pomposity of such a definition.

Bruno Munari Exhibition
Date: October 25th, 2007 - February 10th, 2008
Place: Rotonda della Besana
Address: Via della Besana 15 Milano, Italy

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Friday, January 25, 2008

Stefan Sagmeister & Michel Gondry at Deitch projects.

Two of my heroes and creative role models exhibit back to back at Deitch projects in New York; Stefan Sagmeister and Michel Gondry. Sagmeister proclaimed that Style= Fart at an AIGA sponsored lecture at Cranbrook Academy of Art back in 1999 when I was a student there. His graphic design is often informed by sharp wit and smart, insightful social commentary. And if you are even mildy interested in Music Videos or accessible Avant Garde films, the groundbreaking work by director Michel Gondry can't be missed.




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Friday, January 11, 2008

Beauty is in the Street Exhibition


This Month in the Bronx River Art Center:

Beauty is in the Street – curated by Gerry Beegan

An exhibition of historic Che Guevara posters from the Lisbet Tellefsen collection and especially commissioned works by contemporary artists, collectives and designers

Opening Reception: Friday, January 11, 6 – 9pm
On View from January 11 – February 16, 2008
Gallery Hours: M – F 3 – 6:30pm , Sat 11 – 5pm



Ñiko, Che Hoy y Siempre (installation view), 1983, silkscreen poster, 76 x 51cm

Bronx , NY …. There are linked questions at the heart of this exhibition. In what ways do the meanings of images change when we collect them, reproduce them, or exhibit them? Are political images drained of their subversive power, co-opted, and aestheticized when removed from their original context? Beauty is in the Street explores these concerns using one of the most compelling images of the last four decades, the image of Che Guevara. The printed likeness of this controversial Argentinean revolutionary retains a remarkable cultural presence and resonance 40 years after his violent death.

Despite the historical Che's hard-line politics and his military failures, his icon has become a symbol of hope, of Latino identity and unity, and of opposition. It has also uniquely found its way into popular culture on T-shirts, advertising, and CD covers. Does the ubiquity of Che's image indicate that he has simply become an empty signifier, a meaningless surface on which any meaning can be inscribed? In order to look at this complex and contradictory phenomenon the exhibition sets up a dialogue between one of the finest collections of Che Guevara posters in existence and specially commissioned works by contemporary artists, collectives, and designers.

The exhibition includes artists and designers from USA , Cuba , Central and South America, and Europe . Artworks include posters, prints, photography, installation, and animation, as well as collaborative works made with the local community. As an exhibition that focuses on the printed image, Beauty is in the Street highlights issues of multiplicity and reproduction through the selection, display, and juxtaposition of posters and artworks, many of which play with repetition in various ways. Its final question is, what is the place of beauty and of aesthetics in the social and political – the beauty of a design, an action, or an idea?

The posters in this exhibition are from the collection of Lisbet Tellefsen , a poster collector, archivist, and curator of the Movement Archive, a digital archive created to preserve the posters and printed materials from a variety of social justice movements.


Participants :

Karlos Carcamo
Born in El Salvador Karlos Carcamo studied at the School of Visual Arts and at Hunter College, NY. He lives and makes artworks in Beacon, NY where he directs the gallery Go North.

Experimental Jetset
Experimental Jetset is an Amsterdam graphic design unit founded in 1997 by Marieke Stolk, Erwin Brinkers and Danny van den Dungen. They focus on printed matter and installation work and teach at the Gerrit Rietveld Academy .

Karolyn Hatton
Karolyn Hatton is a New York based artist who studied at the University of Chicago , the London College of Printing, and Goldsmiths, London . Her written texts and artworks have been published and exhibited internationally.

Liselot van der Heijden
Liselot van der Heijden is an artist from the Netherlands who works in New York City . She has shown art projects and videos throughout Europe, the US and South America . She has a BFA from the Cooper Union and a MFA from Hunter College .

Henry VIII's Wives
Henry VIII's Wives is a collaborative consisting of artists Bob Grieve, Rachel Dagnall, Sirko Knupfer, Simon Polli, Per Sander, and Lucy Skaer founded in 1997 based in Scotland and Scandinavia. Its members have been involved in numerous collaborative performative works and installations.

Pedro Lasch
Pedro Lasch was born and raised in Mexico City , and has since lived in New York and Durham , NC , and teaches at Duke University . His work has been published and shown internationally at both alternative and mainstream institutions.

Cristóbal Lehyt
Cristóbal Lehyt was born in Santiago , Chile and now lives and works in New York . He studied at Universidad Católica de Chile, Hunter College and on the Whitney Independent Study Program. Notable past exhibitions include Kunsthaus Dresden, Artists Space, Shanghai Biennale and the Whitney Museum .

Aleksandra Mir
Born in Lubin , Poland and a citizen of Sweden Aleksandra Mir lives in NYC , USA and Palermo , Sicily . Her work has been featured in many solo and group exhibitions including Kunsthaus Zurich , Switzerland , White Columns, NYC and the Greengrassi Gallery, London .

Carrie Moyer
Carrie Moyer is a New York-based painter and one half of the public art project, Dyke Action Machine! (DAM!). Her paintings and public art collaboration have been widely exhibited and reviewed in both the US and Europe .

Stefan Saffer
Born in Germany and now living in Berlin Stefan Saffer studied at Academy of Fine Arts Nuremberg , Goldsmiths, London and the Whitney Program in New York . He has taken part in residencies, exhibitions, and public art projects internationally including Kate MacGarry, London , Pavel Zoubok Gallery , New York and Villa Grisebach Gallery , Berlin .

About the Curator :
Gerry Beegan is a writer, curator, and designer who creates exhibitions, visual works, and historical/ theoretical texts that explore the relationships between art, design, media, and audience. His writings on the history and theory of reproduction include the book The Mass Image (Palgrave Macmillan, 2007) and he has also contributed to books, journals and magazines internationally.
Henry VIII's Wives, Untitled (detail), 2007, C-print Elena Serrano, Untitled, 1968
offset print
Liselot van der Heijden, Untitled(Che, New York), 2007, installation Carrie Moyer, Amigas! Get Your Che On!, 2007, 3-Color Screenprint
Stefan Saffer, SMOKINPEOPLE, 2007, Mixed Media. Cristóbal Lehyt, Violeta, 2006,
32 Inkjet Prints


Travel Directions:

Train: IRT # 2 or 5 to East Tremont Ave. Walk one block east.
Bus: #s 9, 21, 36, 40, 42, or Q44 to East Tremont and Boston Road.
Car: Bruckner Expressway to the Sheridan Expressway and exit at Tremont Ave., or Cross Bronx Expressway to Rosedale Ave. Exit.

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Sunday, January 6, 2008

The Heart Is A Lonely Hunter


image: Carol "Riot" Kane. Carbon. 2007. pencil on paper, 8 x 10 inches



The Heart Is A Lonely Hunter
January 10 - February 9, 2008
OPENING THURSDAY, JANUARY 10, 7-9PM


31Grand
143 Ludlow Street
New York, NY 10002

http://www.31grand.com

Artists: Shauna Born, Fanny Bostrom, Paul Brainard, Maureen Cavanuagh, Orly Cogan, Jan Dunning, Juno Doran, Brad Kahlhamer, Carol "Riot" Kane, Kris Knight, Kate Kretz, Jason Cole Mager, Ryan McClennan, Sean McDevitt, Emily Roz, and Jeff Wyckoff.

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Friday, November 30, 2007

Shitty Little Paintings by Jim Gladman

Thursday, November 29, 2007

ART364B Collective Exhibition Opening Tomorrow, Friday Nov. 29




Kate Clark, Marietta Davis, Tiffany Ludwig, Jennifer S. Musawwir, Melissa Potter, Miriam Schaer & Maria Yoon.

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Tuesday, November 27, 2007

Trace Elements Exhibition




Press Release:
TRACE ELEMENTS

November 30, 2007–January 26, 2008

Margarete Roeder Gallery is pleased to present a group exhibition entitled Trace Elements with works by Rudolf De Crignis, Frauke Eigen, Tayo Heuser, Christine Hiebert, Tom Marioni, and Susan York from November 30, 2007–January 26, 2008. A reception will be held on Friday, November 30, from 6–8 PM.

Rudolf De Crignis’s works, executed in colored pencil on board, present almost imperceptible veils of evanescent color. Like his stratified paintings constructed from many layers of blue and white paint with one or more layers of another color deeply inserted into them, these drawings are not illustrations, a visual expression of a theoretical position, but rather a rendering of that which cannot be expressed in language: the entirely direct and accessible sensations that the viewer experiences in front of these works.

Frauke Eigen’s photographs, all images of the “real” world confound us with the purely quotidian, images that are simultaneously unfamiliar and entirely ordinary. Taken in locales as diverse as Los Angeles, Bosnia, and Tokyo—immediately familiar to their inhabitants and entirely foreign to each other—their formal precision resonates with feeling. Often details, these black-and-white-photographs of orthogonal architecture and variegated nature create an immediacy of mood with the contingency of their apprehension.

Tayo Heuser will show one work from a recent series of large drawings executed in ink on burnished and stained paper. Predominantly circular, the scale, around 4 x 4 feet, provides an encompassing image; but the realm that Heuser invites us to enter is not spatial but something less tangible. Investing in an understanding of both the immediate (the work itself) and the elusive, the exhibited work is dedicated to Agnes Martin. “Anyone who can sit on a stone in a field awhile can see my painting.”

Christine Hiebert’s new, large drawing demonstrates her ongoing engagement with charcoal on paper, and a desire to evoke space and animate it. Constructing her work in a highly intuitive way, she uses line to lead thought. It could also be said that she uses line to leave thought behind: meaning on the one hand, that she subordinates conscious thoughts to those that arise out of the searching line, and on another, that she leaves for us a trail of those searching moments.

Tom Marioni’s work, from a new series entitled Out-of-Body Free-Hand Circles is made by drawing circles with a pencil attached to a bamboo stick. Thus literally “out-of-body” in that the pencil is not grasped by the artist’s hand, the double entendre phrase also refers to the space the drawing occupies as well as that of the body that created it. The artist wrote, “My circles are tracings of themselves—by going over and over the circles each time getting them more correct I am tracing the circles underneath.”

Susan York’s drawings, installations, and sculptures are all composed from graphite, variously rubbed and polished on paper or directly on the wall, or cast in solid graphite. Evidencing the artist’s interest in duality, specifically tension and tranquility, the drawings here manifest tension through their material geometry and surface, tranquility through the infinitely fine modulation of the surface and repetitive effort in their production. Less seen than felt, ultimately these dualities fall away and distill into the sublimity of the present moment.

For further information and images please contact the gallery at 212 925 6098
or email info@roedergallery.com

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Tuesday, November 20, 2007

Die Gestalten Verlag: Fragiles Exhibition in Miami




If you are heading to Miami this year for Design Basel, be sure to see the exhibition Fragiles, curated by design publishing powerhaus Die Gestalten Verlag.

Selected works by:
Arne Quinze
Jaime Hayon
Marcel Wanders
Jerszy Seymour
Hella Jongerius
Jurgen Bey
Hans Van Bentem
Stephen Burks
Nik Schweiger | 3deluxe
Stephanie DeArmond
Charles Krafft
Emma Woffenden & Tord Boontje
Alessandro Mendini
Commonwealth & Joshua Davis
Malin Lundmark
Maxim Velcovsky
George J. Sowden
Wendy Walgate
Christie Wright | Elastichome
Lola Goldstein
Cynthia Hathaway
David Amar
Emily Forgot
Frida Andersson & James Steiner
Giordano Redaelli
Miwa Koizumi
Guillaume Delvigne
Hana Vitkova
Ineke Hans
Jakub Berdych
Scott Rench
Kate Hume
Laura Mckibbon | Cul De Sac
Sebastian Menschhorn
Lisa Goldberg
Megan Bogonovich
Katie Parker
Mimi Joung
tjep.
Nathalie Schaap
Doodle
Nicolas Bovesse
Robert Dawson
Sarah Cihat
Milan Pekar
Guillaume Delvigne & Ionna Vautrin
Thomas Paul
Jason Miller
Tamsin van Essen
to22
o-d-a
Louise Hindsgavl
KleinReid
Dan Yeffet’
Dror Benshetrit
Bathsheba Grossman
Assa Ashuach

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Friday, November 9, 2007

Elliott Earls updates

Some updates from the studio of Elliott Earls, artist-in-residence at Cranbrook Academy of Art's 2D Design Department.



Elliott Earles: "On thursday evening I gave a lecture at The Wolfsonian Museum as part of their exhibition on the work of John Heartfield. My lecture used the work of Heartfield as a kind of foil against which we can begin to understand a more powerful role for the contemporary graphic designer. In the lecture I primarily used the work of Heartfield as a way of attempting to place my own work within an historical context and to provide it a cohesive conceptual framework. To radically simplify the lecture, initially I pit John Heartfield against Paul Rand1 (Lord Vader) and discuss the goals of the post world war one avant-garde. In the lecture, I frame my own work in terms of the spirit of oppositional cultural practice exemplified by Heartfield – and by extension El Lissitzky, Alexander Rodchenko et al.
"





From Bull and Wounded Horse.

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Thursday, November 8, 2007

Kara Walker: My Complement, My Enemy, My Oppressor, My Love at The Whitney


Kara Walker, Darkytown Rebellion, 2001. Cut paper and projection on wall, 14 x 37 ft. (4.3 x 11.3 m) overall. Musee d’Art Moderne Grand-Duc Jean, Luxembourg. Photograph courtesy the artist and Sikkema Jenkins & Co., New York


I visited the Kara Walker incredible exhibition at The Whitney last weekend and highly recommend it. It was impressive how well the pacing and flow worked. I have a short attention span like most people, and it managed to grab a hold of me and not let go until I had spent real time with every work. Her large wall installations, which include her signature Silhouettes, and her films were especially memorable because they communicate so much with so little (formally speaking). But the drawings such as in Negress Notes (1995), which I was less familiar with, were also amazingly effective in communicating the same age old issues of race relations (that remain relevant today) to a modern mind.

Go. See. This.


Slate.com has a slide show essay about Kara Walker here.

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Saturday, November 3, 2007

Christian Tedeschi is part of the new exhibition at A+D.



From the A+D Website:

"An exhibition featuring three local artists Chris Avitabile (with OJO) Kiel Johnson and Christian Tedeschi.
These artists all met through A+D for a children’s workshop based on the idea of Crazy Clubhouses. The workshops met every Saturday through the month of August 2007. It was constructed around the principle that Architecture can be studied and experienced on many levels.

These workshops at A+D became sessions that the artists pushed potential and were fully engaged with each other’s creative processes. What was beneficial for the children became inspiration for each artist and their personal studio explorations. This exhibition speaks to this chance encounter.

All of the artists in this exhibition have benefited from the children’s Crazy Clubhouses workshop at A+D. Chris Avitabile has used the tracks created using the sounds made by the children as a major parts of his recent recordings. Kiel Johnson was influenced by the colors and painted surfaces created on the colorful geodesic domes. It can be found in the painted surfaces on his cardboard structures. Christian Tedeschi has been influenced by the potential of material structure and Buckminster Fullers concept of synergetic relationships.
OPENING 11.09.07"

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Friday, October 12, 2007

1000 Journals Movie

The new film about the legendary 1000 Journals project will be premiering at the AFI Film Festival.
Sunday, 11/4, at 9:15PM at the ArcLight Cinemas
Monday, 11/5, at 3:15PM at the ArcLight Cinemas

"Inside 1000 Journals"



From the official website:
1000 Journals is a film about people whose lives are touched by 1000 traveling journals. These blank journals were released into the world in the summer of 2000, by Someguy, a San Francisco based artist. Some people found a journal, or got it from a friend or stranger. Some signed up on the web and received it in the mail. Some wrote in them, others doodled, pasted in photographs, or added artworks. Some kept them. Some passed them on. There are no rules, and no one really monitors these journals and their movements. And yet, they are connecting tens of thousands of people worldwide, provoking and inspiring them.

In September 2003, one of the 1000, number 526, returned to Someguy, filled. What happened to the other 999? This film tells their stories. 1000 Journals shares the experience of their worldwide journeys, and chronicles the self-governed collaboration of thousands of random people who have added to this global "message in a bottle".


Trailer:

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Thursday, October 11, 2007

On Procession: Street Spectacular


Want to be in a spectacular art parade in Indianapolis? On Procession: Street Spectacular, is organized by the IMA, Indianapolis Museum of Art. Major artists are involved and the "Street Spectacular" parade accompanies the gallery exhibition "On Procession". You can download the request for proposal at onprocession.org and submit your proposal there as well.

My studio Elasticbrand, has received the honor to develop the graphic identity and all marketing materials, along with an exhibition catalogue, due out in the middle of next year.

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Wednesday, October 10, 2007

Thomas Müller presents: Flower


Date: October 13th – November 9th, 2007

Opening Reception: Saturday, October 13th, 6pm - 9pm

Cost: Free and open to the public

Location:
Spacecraft Gallery
2865 North Park Way (Behind the North Park Theater)
San Diego, Ca 92104
http://www.spacecraftgallery.com

Gallery Hours: by appointment

Spacecraft Gallery 2007 monthly exhibitions continue
with a new installation by Los Angeles artist Thomas Müller.

* * * * * * *
688 South Santa Fe Avenue #112
Los Angeles, CA 90021

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Monday, October 1, 2007

OASIS at Flushing Town Hall


Wednesday, September 19, 2007 - Sunday, November 11, 2007, 12:00 PM

An oasis is an isolated area of vegetation, a small bit of relief, a green area in an otherwise barren landscape. As our lives become more and more scheduled, busy, and fragmented, artists are responding by looking to nature.

Nancy Blum’s work represents the duality of life; at once hard and soft, masculine and feminine. Inscribing pattern and color, she is able to combine nature and culture in clever and imaginative ways. Portia Munson is interested in the fleeting lives of flowers and the healing nature of the mandala shape while also exploring “artificial” nature – man made objects marketed to resemble the color of nature. Jon Rappleye invents a nature that is inspired by fairy tales, imagination, and extreme representations of the natural world. It is surreal and fantastic. Raymond Saa creates gestural drawings and paintings that explore tropical imagery, used as a metaphor for the cultural displacement many immigrants experience in their new homes.

Margaret Murphy
, guest curator

CURATOR'S TALK:
Sunday, October 21, 2007 @ 2:00pm

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Ian Burns at the Spencer Bownstone gallery


Ian Burns 'Himalaya', 2007. Digital Photographic Print, 16 x 40"


Check out Ian Burns' engaging work at Spence Brownstone, opening Wednesday September 12th. 6-8 pm.

Press Release:

IAN BURNS
THE MANNER OF WORK


September 12th - October 20th, 2007
Opening Wednesday September 12th, 6-8pm

Spencer Brownstone Gallery launches its Fall program with our second one-person exhibition by Ian Burns. Burns’ acclaimed kinetic dioramas and ‘trompe l’oeil’ video works have engaged with subjects as diverse as the war in Iraq, TV culture, colonialism, and art history, and have been featured in important group and solo exhibitions worldwide. For ‘The Manner Of Work’ the artist summons the spirit of William Morris with a series of major new works that further Burns’ unique formulation of the hi-tech and the handcrafted.

The main gallery will be set up as a kind of fallen Victorian drawing room, replete with large chandelier, sublime mountainous landscape, and patterned wallpaper design. In ‘Himalyas’, a wall projection of misty mountaintops is rendered by a teetering stack of tables absurdly suspended from the wall. ‘The End of an Era’ is a chandelier of sixteen small monitors hanging from the ceiling, all displaying an image of a light bulb created by the perversely archaic method of a camera obscura. And in ‘Sanitary Gesture – Grey’, an abstract projected ‘wallpaper’ fills one wall with the patterns thrown by hand sanitizer smeared on the surface of an overhead projector.

All of these pieces develop, in varying ways, the artist’s signature ‘trompe l’oeil’ video work, where elaborate mechanized constructions created out of small motors and primitive electronics suddenly coalesce into a realistic image when fed to a monitor via a small camera and live video feed.

Also included will be a new series of large format photographs of (apparently) mountain, sea, and cloud landscapes, whose monumentality is undermined by accompanying small studio shots that reveal the often abject nature of the images’ construction. And the gallery’s back space will include multiple riffs on contemporary art, including three new live video feed works that re-imagine the classic land art projects of Christo and Jean Claude, Smithson, and De Maria from a mixed array of household plumbing and kitchen materials.

At the heart of the artist’s new work lies a concern with the gap between how images are constructed and how their end product is consumed. Noting the contradictory forces at play in the contemporary art world, where the ever more fragmentary art object of a contextual or ‘situational’ art practice coexists alongside a return to highly crafted drawings and paintings, Burns demonstrates how everything can ultimately boil down to a set of signs whose origin often seems arbitrary. We have clearly fallen some distance from Morris’ ideal of an integration of social and aesthetic agendas, and yet, through the ingenuity of his manipulation of materials and the acuity of his vision, Burns ultimately offers an upbeat assessment of the transformative potential of art.


Born in Newcastle, Australia, Ian Burns has been living and working in New York since completing his MFA degree at Hunter College in 2003. The artist had his first solo show at Spencer Brownstone Gallery in 2005 and, since then, has featured in major exhibitions including ‘Greater New York’ at PS1; The Turin Triennial, Castello di Rivoli, Turin; ‘Stereovision’ at South Florida Contemporary Art Museum, Tampa; and ‘New York State of Mind’ at Haus der Kulturen der Welt, Berlin. Ian will have his first one-person museum show at Indianapolis Museum of Contemporary Art in 2008, which will be accompanied by the publication of a major catalog.



Spencer Brownstone Gallery
39 Wooster Street (Broome/Grand),
New York, NY 10013
T: 212-334-3455
info@spencerbrownstonegallery.com
www.spencerbrownstonegallery.com

Tuesday-Saturday, 11am-6pm

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Sunday, September 30, 2007

Richard Wilson's Rotating Building Facade.

Incredible.

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Wednesday, September 26, 2007

Cynthia Hathaway Designs, Educates, Writes...


Cynthia Hathaway, a Canadian design leader operating from Amsterdam inspires me. She is one of those rare folks who stick to their guns and forges ahead with her multiple talents in design. She writes, curates, educates, designs and that doesn't quite sum it all up. Check out what she is all about at hathawaydesigns.org

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Tuesday, September 25, 2007

Kate Clark at Explosivo/Chashama in the East Village, NYC


META-MAJESTY
September 28-October 21
at Explosivo/chashama
169 Avenue C at 10th Street

Diane Barcelowsky, Dana Carlson, Kate Clark, Jennifer Coates, William Crump, Leslie Miller, Naomi Reis, Saviour Scraps, Jessie Rose Vala

Opening reception: Friday, September 28, 7-9pm
Special music performance: Forest Fire and Goodbye The Band | Friday, Oct 12, 8pm Explosivo/chashama hours: Thu-Sun, 1-7pm

Meta-Majesty, curated by Tracy Candido, presents work by 8 artists and 1 artists collective that suggests a curious channeling of all things magical as a very real response to our current earthly chaos. This form of escapism is proposing a spectral reflection towards a nation diseased with war, ignorance, and environmental disregard.


Meta-Majesty is supported by chashama, a NYC arts organization whose mission is to support artists of all genres. chashama adopts vacant properties that are donated by their owners and converts them into theaters, galleries, studios, and window performance sites; chashama then regrants this space for free or at heavily subsidized rates. Since 1995, chashama has transformed more than 20 vacant properties and has given more than 5,000 artists access to space.

Explosivo/chashama is a temporary platform for contemporary art which follows an interdisciplinary exhibition program curated by Tracy Candido in partnership with chashama. The Explosivo/ chashama art space is donated to chashama by the Urban Homesteading Assistance Board. UHAB supports self-help housing and community building in low-income neighborhoods by training, organizing, developing and assisting resident-controlled limited- equity housing cooperatives.


For more information about the exhibition or upcoming exhibitions at Explosivo/chashama, please visit www.explosivoartshow.com or call 516.510.3292
web: http://www.explosivoartshow.com



POCHRON STUDIOS

REFUSE/REFUSE

Part of the Dumbo Arts Festival


Opening Reception, September 28th from 6-11 pm
20 Jay Street, 11th Floor
Dumbo, Brooklyn

Gallery Hours September 29th and 30th from 12-5 pm



1. ri-'fyüz-1 : to express oneself as unwilling to accept
2 a : to show or express unwillingness to do or comply with b : deny
3 obsolete : give up, renounce

2. 're-"fyüs, -"fyüz- the worthless or useless part of something leavings
2 : trash, garbage, thrown aside or left as worthless


Featured Artists:
Jill Buckley, Garrett Rowland, Allyson Lubow, Flora Rocco, Galina Kurlat, Donnie + Travis, Lani Bouwer, Marietta Davis, Veronica Ibarra, Eric Cheevers, Joanne Burke, Ilya Monosov, Brigid Scruggs, Reid Spector, Matt Lewis, Julie Pochron, Tony Alvarez, Gemma Burgio, April Renae, Hank Mattice, Steven Baines, Leidy Churchman, Simen Johan, Priscilla Polley, Kate Clark, Carolyn and Erina from Pomade, Vincent Dilio, Heather Marie Vernon and Miss Julie Fabulous, Eva Aridjis, Greg Paxton, Dina Helal, Alexandra Morrill, Melissa Potter, Maria Yoon, Miriam Schaer, Emiliano Maggi, Jaiko Suzuki, Tora Lopez, Eileen Quinlan.


By subway
Take the A/C Train to High Street (first stop in Brooklyn).
Exit at the Cadman Plaza West stairwell towards the rear of the train.
Cross Cadman Plaza Park to Cadman Plaza East.
Left on Cadman Plaza East, which turns into Washington Street and continue walking under the Brooklyn Bridge overpass, towards the river.
Right on Front Street.
Left onto Jay Street.

Take F Train to York Street (first stop in Brooklyn).
Make right out of station onto Jay Street.

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Thursday, September 20, 2007

Designboom's Handled With Care at Designersblock, London, UK



Check out the exhibit organized by Designboom called "Handled with Care" at Designersblock in London.

Featuring Christie Wright's conceptual ceramic cellphones and the Glide Toaster by George Watson.



Christie Wright.


George Watson.


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Monday, August 20, 2007

Beth Ganz and Soo Sunny Park Exhibit New Works at Reeves Contemporary




September 6th - October 6th

Artists' Reception
Thursday September 6th 6:00 - 8:00 PM

Chelsea, New York... Beth Ganz opens a show of new photographic works on September 6th at Reeves Contemporary on 535 West 24th Street in New York. In the project space, Soo Sunny Sunny installs Fractal Immersions, a site-specific installation continuing her exploration of refracted interior and exterior spaces. Both exhibitions run through October 6th. The artists' reception is on Thursday, September 6th, from 6-8 p.m.

Ganz's new work challenges the traditional aesthetics of landscape photography. Her new imagery focuses on the topographies and reliefs of Iceland in both the negative and positive - the photogravures feature volcanic and geothermal sites, including petrified lava flows, inert volcanoes, obsidian lava fields, geothermal steam vents and the Blue Lagoon. The addition of hand-painted maps interjects an element of historical exploration, which complements the nineteenth century process of photogravure. The flux between the surface of the image and the photograph's illusory depth alludes, as well, to landscape paintings' historical legacy of offering a window onto another world.

Ganz's images are at once supported and disrupted by the play between negative and positive, surface and depth, landscape image and map-like painted detail. The use of the fragile kozo paper in conjunction with the weight and mass of the topographies serves the artist's intent well: the collaged reverse imagery becomes a finely honed exchange of mirror-image shapes.

Ganz has had several solo exhibitions in New York and elsewhere; her prints have been included in many group shows in the United States, England, Europe, and India since 1989. Her work is well represented in public and private collections including; the Hofstra Museum, Hempstead, NY; New York Historical Society, New York, NY; Library of Congress, Washington, DC; New York Public Library, New York, NY; and U.S. Department of State Art Bank.

Soo Sunny Sunny continues her exploration of installations that play with our perceptions by fracturing our vision; and by creating environments with repeated elements - often monochromatic - and rhythmic visual patterns that negate visual suppositions. Her environments are all at once experimental and controlled. Sunny's use of materials ultimately realizes her preoccupation and readiness to explore the concerns of suffused light and space.

A recent project included large canopies of chain link fence with plastic cups inserted in the grids, accented with long strings weighted by stones. When lit from above, the soft glow of light was reminiscent of deep-sea creatures - a confounding use of familiar materials to create a meditative and improbably beautiful surround.

In this current manifestation of her inquiry, Sunny is creating layers of 'fractal', honeycombed walls with egg crates and air filters. The successive, receding spaces, each with its own exchange of shadow, light, and refracted patterns, is a further investigation into us - as viewers - experiencing a visually complicated depth of field.

Of her work, Sunny observes: 'I explore properties of geometry, concept of space, time, and abstract mathematics with structure, pattern, and the dialogue between logical and lyrical shape. The process I employ is both scientific and intuitive. My time is spent researching physical and idealized space, and how they create a liminal interstitial (engaging) space. I am involved in re-utilization of manufactured products (quotidian materials) and the use of natural materials, which are affected by the laws and principles of physics (shadows, gravity, etc.).'

Soo Sunny Sunny received her B.F.A. in painting and sculpture from Columbus College of Art and Design in Columbus, Ohio, and her M.F.A. in sculpture from Cranbrook Academy of Art in Bloomfield Hills, Michigan. Sunny is a recipient of the Joan Mitchell M.F.A. Grant; Grand Prize winner of the 19th Annual Michigan Fine Arts Competition; Skowhegan Residency, Skowhegan, Maine, and Cité Internationale des Arts Studio Residency, Paris, France. Selected publications include Forum for Contemporary Art, New Art Examiner (2001), Art in America (2004), and Focus, Sculpture Magazine (2004). For more information or to view the online gallery, see reevescontemporary.com or call 212 714 0044.

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Sunday, July 1, 2007

Shepard Fairey [OBEY] at Jonathan Levine Gallery




I just saw this show of New York street artist Shepard Fairey, best known for his "Obey The Giant" street campaign that he started in 1989. His work has gotten incredibly refined and detailed over the years, without losing its gritty edge or its cynical, politically engaged sense of humor.



Shepard Fairey [OBEY] at Jonathan Levine Gallery
June 23, 2007 through July 21, 2007

DUMBO Installation Space Opening Reception: Thursday, June 21st, 7pm – 11pm, 81 Front Street Brooklyn, NY 11201
Exhibition on view Thursday, June 21 – Saturday, July 7, open Wed-Sun from 11-7

Jonathan LeVine Gallery: Opening Reception: Saturday, June 23rd, 5pm – 9pm, Jonathan Levine Gallery, 529 West 20th Street, 9th floor, open Tues-Sat from 11-6


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Thursday, June 21, 2007

Summer of Love at The Whitney, NYC


On view May 24-September 16, 2007
Summer of Love revisits the unprecedented explosion of contemporary art and popular culture brought about by the civil unrest and pervasive social change of the 1960s and early 70s, when a new psychedelic aesthetic emerged in art, music, film, architecture, graphic design, and fashion. The exhibition includes paintings, photographs and sculptures by Richard Avedon, Jimi Hendrix, and Andy Warhol, among others. As well as a rich selection of important posters, album covers and underground magazines. A special emphasis is placed on environments as well as on film, video and multimedia installations. The art in the exhibition is conceptualized through a wealth of documentary material highlighting events, people and places; from the 1967 Monterey International Pop Festival to Timothy Leary to the UFO nightclub in London.

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